His different faces and a number of alter egos speak for themselves when trying to describe Javier Dokser, and his many ways of understanding music. Eclectic is the manner in which he takes us to unthinkable places that can only be reached through experimenting. That is why, Dokser does not fit into one traditional style, nor can he be placed into one specific category. To get to know Dokser, we can only wait for him to surprise us with one of his next mixes, productions or live acts.

Very young - not even old enough to be legally authorized to go into a club, Javier started residences at clubs in his hometown, the city of Buenos Aires. It was then when producing turned out to be the unavoidable path to follow.
He became one of Argentina’s big promises, playing in cities like Punta del Este, Miami, and New York.

The audience in Barcelona - city where he holds residence, at the moment - considers him one of the favorites, because of his live acts and DJ sets at clubs like Pacha, City Hall, Otto Zutz and the Bugged Out parties!

Reviewers and critics with a penchant for noisy denigration of electronic music often point out the common, collage-like triviality of this genre. Conscious of this fact, Dokser knows that a poorly elaborated mix often sounds unappealing and is not even complex, but merely chaotic. As an omnivorous hunter of styles and an irreverent mocker by nature, he eludes traditional attempts to pigeonhole his ideas. He likes nothing better than putting aside the given heritage and working out his own artistic restlessness.
How things work. What gives them their shapes, their brightness, or the sudden clash when they break. Since he remembers, Dokser has explored the methodic mazes of curiosity with a screwdriver. He infringes all sorts of appliances with an intense trespassing drive that is only alarming for people who can only conceive of the manufacturer's original designs.

Gullible customers.
Instead, Dokser infuses us with the belief that disassembled parts are themselves tools to work with. Like other collectors, he arrays dissimilar objects; unlike them, he does not confine his acquisitions to impervious glass cabinets, but organizes them in new configurations.

His music thrives in continuously yet delicately contravening the rules. As time passes, lose traits are rearranged, attenuated or confirmed, in order to convey the certainty of a mood. Or the uncertainty: a wink here, a nudge there, an innuendo of folk references, pop music quotes or unexpected melodies which briefly startle the listener.

The astonished mind takes part in the flow of music, while the body absorbs it.
Communication finds its way, and rocks.

On a more personal note, Dokser is happily single. Those who know him think that Time has somewhat changed him. The clever, reckless adolescent has become a clever, reckless young man. However, he now has a goal: to find loonies of his kind, with matching ideas.
He is busy creating. Go ahead, envy him.

DISCOGRAFIA
2005 Dokser Make me Funk (Offsiderecordings, España)
2005 Perfect Empty Dokser mix (Delta-B, London)
2003 DKS (Luxury Grooves, España)
2003 Luxury Grooves Mixed CD (Luxury Grooves, España)
2002 RDYA 01 (RDYA, Argentina)
2002 Dokser 80 (d-Studios)
2000 Other Side (demencial records)
1998 Datafile (d-Studios)
1996 Dokser Attraction (d-Studios)

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